Alan King, NAYD’s Youth Theatre Officer, has been keeping the Young Critics up to speed with his theatre-going via the Young Critics Facebook page. He is kindly sharing his thoughts on a week in youth theatre with us for this month’s blog entry.

Well it has be a fantastic few weeks in the world of youth theatre. Most prominent amongst these were NAYD’S National Youth Theatre’s production of A Dream Play at the Peacock Theatre and Waterford Youth Arts 25 th birthday celebrations in various locations around Waterford.
Directed by acclaimed director Jimmy Fay, the NYT featured 16 young actors from across the NAYD membership in August Strindberg’s classic, in a newer version by Caryl Churchill. Speaking as an NAYD staffer I would of course have a very particular bias towards this production so I will keep my opinion as objective as I can. I had no direct involvement with this production so I took my seat along with all the other interested audience members on opening night, what followed was a dazzling display of stagecraft, ensemble playing, commitment and wondrous production values.
A Dream Play sees Agnes, the daughter of the god Indra, visit earth and see the lives of humanity played out against a surreal backdrop. Each of the cast inhabited their roles with conviction and poise that made the performance a joy to watch. One could really see that this cast had an ownership of the material and that director and his artistic and production team had worked them very hard to deliver this level of performance. I found the play difficult to understand, I don’t think I was alone, but that didn’t matter as the visual and choreographed spectacle on display kept me rapt for its hour and twenty minutes running time. As an advertisement of what a youth theatre production can be, given the right talent and budget, it was a huge statement of the potential of youth theatre.

DARK OF THE MOON
As the centre piece of it’s 25th birthday celebrations Waterford Youth Arts (WYA) chose the 1942 American play the Dark of the Moon by Howard Richardson and William Berney which it staged at Garter Lane theatre in late August. Directed by Waterford native and internationally recognized writer and director Jim Nolan this too was a very challenging piece for it’s young actors. Set in the Appalachian mountains the story told of a ill fated love between a mortal called Barbara Allen and a witch boy named John against the backdrop of small town mentality and religious fervor. While some actors were clearly playing characters much older then themselves they were all very comfortable in their roles and those strange accents. Again this cast had a great ownership of their parts and the ensemble was extremely strong in some very large group scenes. Nicely staged with great choral work and choreography this too was a great advertisement of what a great youth theatre show can be. All of the key production members and some of the older cast members were ex-W Y A members which in itself is a true mark of the legacy of great youth theatre. The production values were very high and a packed house ensured that this great production had the audience it deserved.
It was interesting to note that in both of these production the actors could be clearly heard at all times. It is very often the case with youth theatre shows that diction, volume and clarity sometimes get lost in getting the show on. It is worth taking note that it’s doesn’t matter how good you think a show is but if you can’t be heard it takes away an awful lot from an audiences enjoyment of the show.

Also as part of the celebrations W YA staged ‘This Ain’t No Fairy Tale’ in an outdoor promenade performance in a free event at the People’s Park in Waterford City. Co written by Megan Stokes( who also appeared in Dark of The Moon) and Young Critics member Martina Collender this utilized the very young members of W Y A to perform for the 4-10 age group. Directed by ex WYA member Shauna Farrell, this was a murder mystery involving some well-known characters from children’s culture. Imagine if Shrek was written by Agatha Christie and you get the idea. This was really great fun to watch and to be part of. A huge cast of 30 young children inhabited their roles with belief and conviction. Although they were a little hard to hear at times- they are little kids acting outdoors after all, it was a very enjoyable show that kept the audience very entertained. Special mention must be given to W Y A and their writing programme to encourage Megan and Martina to write a piece that was performed publicly. I would hope that the two young writers continue to write for the stage and produce more work in the future.
In addition to these two plays W Y A ran a huge variety of workshops, readings and dance performances as part of the celebrations. It was encouraging to see so many people participating in youth arts both as audiences and players.
On Friday night, The Collected Works of Jim Daly was launched at Greyfriars Municipal Art Gallery. Jim was a stalwart of the Waterford Arts scene for many years who sadly passed away early last January. He was a founder member of Red Kettle Theatre Company, a fantastic lighting designer and in more recent years had written several plays for WYA and younger audiences.
I had the pleasure of knowing and working with Jim on several occasions and this volume of his poems, plays and remembrances is a fitting testament to this giant of a man.

Visit www.waterfordyoutharts.com for more news and some great images.

MOAF is the Members’ One Act Festival, which is an annual part of Dublin Youth Theatre’s Calendar.
Staged in DYT’s premises this offers a safe environment for members to write, direct and produce their own material to be performed by its members. I myself performed in the second ever MOAF’s way back in 1992, which shows you how long this festival has been running at DYT.
I remember when a member could pick up any play they liked and decide to do it. I was in a Harold Pinter play- which even when your 19, you still haven’t a clue what’s going on, so it’s great to see members writing their own work.

Interestingly one of the shows on offer last week was called 1992 written and I’m not sure if he was influenced by the very large poster for Gerry Stembridge’s play of the same name that adorns DYT’s hallway or that he knew I was in the MAOF’s back in 1992 but either way 1992 clearly had some significance for Stephen. In this double bill Neil Douglas and 
Gemma Collins directed “Get off the phone I want to use the internet”.
Both of these short pieces were collages on memory and fears and desires and featured some very interesting staging techniques and performance styles. Music and sound played a big part of these productions and the influence of DYT’s current and past Artistic Directors could clearly be seen in the work.

The second weeks of the MAOF are on now with two new shows,”Does anybody ever” by Sophie Meehan and “Afternoon tea” by Ken Byrne and Katherine Murphy running this week. Get your tickets now as this small venue sells out fast.
So overall it has be a really exciting two weeks of just youth theatre productions. It is very encouraging to see such strong and varied work taking place and it is great to see the artistic output of our yt’s can be rightly held against what’s going on in the professional theatre

Alan

In the second blog entry by an NYT cast member, Leah Minto shares her experience so far…..

From the beginning, the process of the National Youth Theatre was a
challenge that I wanted to step up to. It started at the auditions where
everyone was encouraged to show their creativity and talent.

After the stomach-churning weeks of waiting to hear the verdict, nothing
compared to the feeling I got when I was told I was in! I wanted to drop
everything and start the rehearsals straight away! The feeling of relief and
excitement mixed with anxiety was enough to keep my head occupied until
rehearsals began at the end of July.

The process as a member of the National Youth Theatre started at the
beginning of July where we had a weekend of pre-rehearsing. It was a chance
for everyone to meet…everyone! I met the rest of the cast and straight away
there was little hesitation in getting to know one another.

The workshops we did over those two days were a pre-cursor to the weeks we
had ahead. We focused on trust exercises, building shapes using our bodies,
improvisations and different acting techniques. It didn’t take long for me
to become comfortable with the whole process because you need to be able to
express yourself publicly and almost be vulnerable in front of everyone in
order for the performance to work. I found it almost effortless to do so.
Although it is an unspoken thing, there is a constant feeling of support
running through the entire network.

I returned to the Marino Institute on the 25th of July to start the first of
five weeks of rehearsals. I was glad we were given the previous weekend to
introduce ourselves to the group, so that instead of an awkward first
meeting that day, it was a reunion.

We jumped straight into work the following day (I use the term “work”
lightly!). Jimmy, the director, and John the assistant Director led our
exercises, that always fed back to the script. It was the fist time I had
ever heard of “A Dream Play” by August Strindberg so it was true that
everything I was doing in NYT was new!

It made things more interesting and enjoyable in rehearsal because Jimmy
encouraged us to give our opinions on how the production should go. We were
given the chance to create scenes from the play in different situations and
environments in order to make something different and original that was
unique to us as a cast.

NYT, itself, is an experience that was completely new for me. Although I had
done workshops in my own youth theatre that were similar to that of NYT,
everything seemed more heightened! We were working on a professional show
and so everything we said or did was relevant. Even the smallest idea was
welcomed as it could come to create something big! I’ve been treated as an
actor with the responsibility of making a character real, it was quite scary
to start off with but it was one of the things I was happy to step to. The
fact that you have fifteen other people doing the same thing as you, focuses
the energy in the rehearsal room and allows us all to bring out the best in
ourselves.

When these five weeks are over, I don’t think I’ll look back at one
particular memory. The whole journey of NYT is that of one I’ll always
treasure. The good times didn’t start when we went back to our lodgings and
given the freedom to run around for hours. It started from breakfast and
continued on throughout the day until lights out!
It is, right now, one of the most rewarding pieces of work I have ever done.
I’ve discovered a little bit more of what I am capable of, I’ve made new
relationships with people that will always be special to me and I can say
forever onwards that I was a member of National Youth Theatre.

Leah Minto

Dublin Youth Theatre

A Dream Play is on stage from 23 - 28 August. Find out how to book. 

Rehearsals are underway for this year’s National Youth Theatre production,  A Dream Play by August Strindberg, in a version by Caryl Churchill. Cast members will be keeping us up to speed with the rehearsal process through blog entries.

Daniel Thomson (Droichead Youth Theatre) gives us the lowdown on the first meeting of the cast  in early July:

From the moment we all arrived in The Lab we knew we had a lot of work to do. The sense of intensity and passion gleaned from every member of cast, and of course Jimmy Fay(Director)  and John Taite (Assistant Director), is incredible. I have no doubt that this will be the most important production I have ever been involved in. I think we all had some reservations when reading the play but when Jimmy explained to all of us how open the play is and how we could really make it our own, they faded instantly. We are all now aware this will take so much more work than the productions we are use to but also that we will get so much more out of it. It’s really exciting how quickly we have formed a working relationship as a group. We still barely know each other but we already work well as a group and this gives me such confidence that we will progress into such a tight working group. We are all really enjoying the workshops as we can always see where they are leading to. It is fantastic working with John and Jimmy. After we watch the making of a previous NYT, there was a real feeling of competition in the group. I feel we are all determined to make this an unforgettable production, not just for us but also for Jimmy, John and every audience member who walks through the doors of the Peacock Theatre to watch us perform. And all this from the first weekend?? I can’t wait to get back.

Daniel

A Dream Play is on stage at the Peacock Theatre from 23-28 August

To find out more and details of how to book tickets visit the NYT page

 Theresa Leahy reports on the Making Connections training course for Irish and European Youth Theatre Leaders…

My name is Theresa Leahy and I am a facilitator with the Clare Youth Theatre. This June I spent four days with other Irish and European facilitators ‘making connections’ through drama. With any project involving NAYD it was very organised, and from the moment we arrived in Marino College, Dublin we were working. The course was very absorbing and one of the most encouraging aspects of the course was the workshops facilitated by our fellow class members. What came across was the dedication that we all had to our drama practise. It was amazing how many theatre games had crossed European borders with only minor adjustments. A team spirit amongst the group was almost instantaneous with coffee breaks spent helping each  other write furious notes of the previous class.

David Grant a drama lecturer from Queens University facilitated a workshop on language, its use and resultant divisions. Having gone through my notes again I can appreciate now the breath of this workshop which could be used to heighten awareness of deep held stereotypes in all our cultures.  Its application to the divisions between the Capulets and Montagues in Romeo and Juliet to understanding international tensions I donʼt think can be underestimated.

Sometimes its impossible to describe a powerful image in theatre. With our workshops from Frantic Assembly there were many such moments. Neil set about giving movements that were part of our everyday lives. ʻPedestrian movesʼ which we repeated to one another until there was a fluency built. He then layered a simple ʻemotionʼ on top of those steps. The next stage was ʻfocusʼ where he directed the group to all look at one particular spot. So in essence 3 moves, 3 steps, simplicity itself and the result was extraordinary. The level of concentration generated was not asked for but given willingly. This work was totally absorbing and within everyoneʼs capabilities. We all felt as if we had made and had been part of the magic. I think these workshops have radically changed my idea on theatrical movement and its
application to youth theatre is now a given.

The course had participants from nine countries. Would I like to do a youth exchange? Most definitely. A workshop guided by Rhona and Katie translated the bureaucratic application language into comprehensible sound bites. We all reached a consensus and saw how manageable the whole process was. For my own part Iʼm going to have a few practice runs meeting up with youth theatres in Ireland and then who knows. The international ambiance created a wonderful open atmosphere with everyone ready to share on every level. At the end of the first day we were all friends who just happened to come from other places in Europe!!

Theresa

In our recent chats with member youth theatres, a number of groups expressed an interest in the Capture YT project but time is running out to officially apply.

Capture YT offers youth theatres the chance to work with NAYD staff  to capture their work in a short video.  It can be used to reach potential members via the web or promote the youth theatre’s work to funders.

The closing date to officially register your interest is 30 June.

To do so you can simply contact Rhona Dunnett on 01-8781301 or email rhona@nayd.ie

To find out more and see a video created for the pilot project, more visit the Capture YT page. 

We look forward to hearing from you!

Katie

Earlier this year, NAYD conducted a Youth Theatre Support Survey nationally, that was designed to identify specific needs that youth theatres have at this difficult time of contracting resources.

Despite the different models of youth theatres in Ireland, there was broad agreement across all the youth theatres on a number of specific areas that youth theatres felt NAYD might be in a position to support them.

The main themes to emerge were:

• Advice and Information on Financial Support
• Relief Facilitation
• Training in Specific Theatre skills/Drama Techniques
• Leadership Training for Young Leaders
• Raise Profile and Value of Youth Theatre Nationally
• Broker Space Locally – Workshop and Performance
• Cluster Meetings of Youth Theatres
• Succession Planning in Youth Theatres
• Recruitment and Retention of Members
• Advocacy and Lobbying

As a result of this work we are introducing a new Youth Theatre Support Scheme that will have three categories:

Theatre Skills Training

Are there specific theatre skills (i.e. movement/voice etc) that your youth theatre members could benefit from that you don’t have the skills to deliver? Just identify the skill and facilitator to deliver the training and NAYD will support up to four sessions in your youth theatre.

Drama Facilitation Support

Do you ever just need time off from your youth theatre to re-charge your batteries or do you need someone to relieve a facilitator over a few weeks? NAYD will support up to four sessions of relief drama facilitation in your youth theatre.

Youth Theatre Partnership

Have you ever met another youth theatre leader or group and felt that you would like to bring your youth theatres together? NAYD will pay the travel and venue costs for up to three youth theatres to come together over a day to workshop, share skills and build future partnerships.

If you are interested in any of these areas we will soon be adding more information and details of how to apply to our website (www.nayd.ie/resources/show/ytsupports). There will be a limited amount of money available in 2010 for this scheme so applications will be assessed using strict criteria.

We will also hold a series of cluster meetings around the country in the Autumn that will have a workshop component to them for youth theatre directors and leaders.

We look forward to meeting you then.

Orlaith

NAYD is delighted to announce that we have a new Youth Theatre Officer. Alan King has worked as a freelance director, actor and facilitator. He was a former member of Dublin Youth Theatre. Many in the youth theatre world will be familiar with Alan from his previous work in NAYD when he covered the Youth Theatre Officer role during a maternity leave.

Alan, along with our Research and Development Officer Rhona, will be available to advise and support youth theatres in all aspects of their work. He will also deliver programmes such as the Young Critics. He starts in the role in early April.

We welcome him on board!

Katie

NAYD has recently hosted a meeting of European youth theatre leaders to coordinate a training course of Irish and other youth theatre leaders in June 2010.

The European partners are Vörösmarty Drama School (Hungary) , Zagreb Youth Theatre (Croatia) and Promote YT (Scotland).

The Making Connections training course will explore youth theatre practice
within a European context and will focus on building the skills of youth
theatre leaders and increasing the capacity of youth theatres to engage in exchanges.

Course dates: 16 - 20 June
Venue: Marino Institute of Education, Griffith Ave., Dublin

Find out more information and download an application form.

Rhona

 This project has been supported by the EU commission through their Youth In Action Programme.

The second book in NAYD’s Step by Step Educational Drama series is now available!

Step by Step Together is written by two of Ireland’s most experienced educational drama practitioners Joanna Parkes and Sarah FitzGibbon and contains a new collection of educational drama schemes that have been tried and tested in more than 50 Irish primary classrooms.

The book focuses on using drama to explore development education in the primary classroom. The handbook format allows teachers to easily access the drama schemes for each age group and check related curriculum links.

To order a copy of Step By Step together, visit our publications page.

Katie

NAYD is in the process of establishing new European connections and also seeking to support its member youth theatres in developing international projects. We are investigating the possibility of holding a training event involving youth theatre leaders both from Ireland and across Europe in 2010. We are researching potential European contacts and are looking for input from our members.

Do you have an existing relationship with a European youth theatre or group that work with young people through drama? Have you met an interesting group through an exchange or at a festival? If so, send us on the details.

You can contact me by phone on 01-8781301 or by email.

I look forward to hearing from you

Rhona